Would you compose an ode to your greatest enemies?

On the capacity for sympathy

Stories are inherently sympathetic.

Even as cautionary tales, for the listener, there is no other way to let a story in than to identify with its protagonist.

Could you imagine Americans making a story about the Japanese directly after World War II?

Yes, there’s The Desert Fox (1951). Shogun, decades later.

But imagine a blockbuster about Admiral Yamamoto.

Aeschylus fought at Marathon.

Later at Salamis (the defining battle after Thermopylae).

Then he wrote a play called The Persians- exploring what it might be like to be Xerxes.